Sunday, February 24, 2019

Looking Back at 2018

The tradition continues! Whoever you are, wherever you are, thank you for reading this, no matter how you found it.

I can't speak for the average movie goer or the avid film aficionado, but I thought last year was a fantastic one. Of course, my tastes veer towards the nerdier side, and with less idle time, I prioritize seeing those films made for me, rather than than those like Roma or The Favorite who's accolades would have grabbed my attention in the past.

Horror films in particular have had a solid year, both critically and at the box office, and it appears the rest of the world has caught on to what had been a quiet genre renaissance. This was possibly the strongest list of top 20 films I had compiled for the Dark Discussions 2018 Review episode, with the possible exception of 2015. I had little trouble carving out a top 20 list, and didn't feel like I was reaching to complete it. What was especially nice to see what the sheer variety of films that received acclaim. We had lockbusters like Halloween, arthouse horror like Hereditary, and streaming microfilms like The Endless. Even the various subgenres were well represented, unlike in many past years in which we may have seen a preponderance of zombie films, found footage, possession films, etc.

Comic book films have also had a banner year. I know people like to complain about there being to many of them (9 by my count) but they all did great at the box office (even Teen Titans Go! which made $50m on a $10m budget). Even DC picked up its end, with Aquaman defying weak reviews to gross over $1b worldwide. Even the reviews tended to be better than worse, with Black Panther, The Incredibles 2, and Into the Spider-Verse garnering major award nods.

On a personal front, the Dark Discussion Podcast was again invited to attend Scare-A-Con New England, this time with the opportunity to host some of the celebrity Q&As. As a con-goer for the last 35 years, it was incredible to sit on stage (oft joined with co-host Philip Perron) with Danny Lloyd (The Shining), David Naughton (An American Werewolf in London), Jason Lively (Night of the Creeps), and Doug Bradley (Hellraiser), but the real highlight was getting 30 minutes with Cassandra "Elvira" Peterson(I was "amazing"). That's going on my tombstone! Thanks so much for the folks at the Dorkening for inviting us to play along. We'll be back again this year, hopefully joined by the rest of the DDP crew.

We were also able to raise a good amount for the Scares That Care charity, and STC Weekend 5 was yet another phenomenally fun time, and for the first time I was joined by DDP founder and co-host Philip Perron. We did a panel on Night of the Living Dead, and Amie Davis-Tobin of After-Dark Analysis invited me to discuss New Wave Extreme French Horror, which you can see below:  

The podcast itself hit 366 episodes by the year's end, along with a new season of the Westworld podcast Bullets, Brothels, and Bots. We had our third meetup - our second in Mystic, Connecticuit, and the first with all five co-hosts, along with the Dorkening's Leo Pond and listener Kevin Letts. We recorded two episodes - one on The Meg and a second that looked back at our favorite films since the podcast started. We are expecting another gathering this summer, and if you would like to join us, please the Dark Discussions Facebook group.

So now for my awards, which mean nothing except to me. As always, I try hard not award a single film twice, just to spread the wealth around.

Favorite Film of 2018
Avengers Infinity War. Black Panther and Into the Spider-Verse may be getting most of the accolades, but this was a comic nerd's dream come true. Despite its length, its the film I've watched more than any other this year, and I think there is a lot more to it when you scrape away the spectacle and marketing.

Favorite Horror Film
The Ritual. This was a close call, but I love me some creature features, and this is the best I've seen in years.
Runner Up: Hereditary. Almost certainly the finest crafted horror film of the year, and I had a great theatrical experience, but just doesn't hit my heart the way The Ritual did.

Favorite SF Film:
The Endless. Also a top 5 horror film for me, and the most Lovecraftian film in years.
Runner Up: Annihilation.

Favorite Comic Book Film
Black Panther. My exclusivity rule won't let me take Infinity War a second time. I don't really think this deserves best picture status as I found the final act a mess, but so much great craftmanship went into the design of the film, and they gave us a solid ensemble of characters.

Favorite Action Film
Mission Impossible Fallout. A weak year for non-genre action, but MI:6 would be tough to beat in most years.
Runner Up: Upgrade

Favorite Comedy:
A Simple Favor: This was a total surprise and a total delight.
Runner Up: Game Night. This was very close.

Favorite Animated Film:
Spider-Man: Into the Spider-Verse
Runner Up: Ralph Wrecks the Internet

Favorite Zombie Film:
The Night Eats the World

Favorite Foreign Horror
Errementari: The Blacksmith and the Devil 

Favorite Retro Horror
Summer of '84. Maybe it's because of Stranger Things, but there were a number of films like this in 2018.

Favorite Found Footage 

Favorite Horror-Comedy
You Might Be the Serial Killer

Favorite Predator Movie
Primal Rage. Really, its so much better than The Predator.

Favorite Halloween Movie
Hell Fest. Sorry, Michael and Jamie Lee just don't feel like the holiday any more.

Worst Movie of the Year
Death House. Saw a screening at Scare-A-Con NE in 2017. Had to wait over a year for it to be released to say just how awful it really was.

Most Disturbing Moment
The attempted murder of a newborn in Mom and Dad

Cheese of the Year
Nicholas Cage. Forget Mandy - you want to see Nic Cage going nuts, you need to see him  
singing the praises of the Sawzall with Fruit Loops on his face.

Best Ending
Infinity War. And I knew it was coming.

Worst Ending
Bad Samaritan. Ruined what had been a nice little thriller up that point.

Best Nightmare Fuel
Terrified, the Argentinian ghost film.

Kill of the Year
So many possibilities. Hereditary, Terrifier, Infinity War all can lay claim, but I've got to hand it to the death at the start of A Quiet Place. Even though it was the center of the marketing campaign, it came as a shock, and set up the film perfectly.

Most Fun Kill of the Year
Ryan Reynolds. Deadpool 2.
Best Marketing
Deadpool 2. From the Bob Ross trailer to the Celine Dion music video to the rebranding of DVDs on WalMart's endcaps to the PG-13 Fred Savaged infused re-release, the marketing was better than the film itself.

Best Creatures
The Ritual
Runner Up: Errementari

Deserved Better
Runner up: Overlord

Scream Queen of the Year
Jamie Lee Curtis retakes her crown (as if anyone could really take it from her).

Hero of the Year
Thanos (hey, Infinity War was his movie!)

Villain of the Year
Killmonger (Black Panther)

They Put Who In This Movie?
Man-Ape (Black Panther)
Runner Up: Peter Porker, the Spectacular Spider-Ham (Spider-Man: Into the Spider-Verse).
Best Surprise
The Endless
Runner Up: A Simple Favor

Biggest Dissappointment
The Predator 

Most Overrated
Runner Up: Mandy
Career Boost
Jason Mamoa. Let's be honest  - his charisma and muscles are the reason Aquaman grossed a billion dollars in the theater, and left half their seats wet.

Career Block
Aaron Ehrenrich. He had a steep hill to climb in playing Han Solo, and despite early rumors of a disaster, I think he pulled it off ably. Unfortunately, Disney is likely to let the Solo trilogy die in its crib.

Best End Credits Scene
Spider-Man: Into the Spider-Verse
Runner Up: Deadpool 2 

Sunday, March 4, 2018

Looking Back at 2017

My Oscar Night tradition continues, albiet a little later than usual. When was the last time Oscars with in March? We're already deep into the "new" year, with one certifiable cinematic phenomenon under our belts (Black Panther, for the record). And, of course, I already gave many of my thoughts in this year's 2017 review episode of Dark Discussions (which you can listen to here:

I didn't watch nearly as many films this year as the last couple, with just 47 horror (or horror-ish) films, most for the Dark Discussions podcast, and 24 in "other genre." A lot of that time went to watching and re-watching tv series, such as Westworld, Game of Thrones, American Gods, Silicon Valley, The Expanse and Better Call Saul (the first three of which have spinoff podcasts for Dark Discussions).

While it was a disappointing year personally, with a lot of health issues in the family, genre-wise it was pretty great. For the first time in forever, it seemed many of the very best horror films ended up in theaters, and, just as importantly, catching on with mass audiences. It was a pop-culture phenomenon, and Get Out became just the sixth horror film to receive an Oscar nomination for best picture (depending on how you classify horror films; as you know, award winning horror films are often reclassified as "thrillers"). Split, Annabelle: Creation and Happy Death Day deservedly had good showings, and the "Blumhouse model" seems to be a winning formula for the genre.

On the other hand, attempts to jumpstarts Marvel-like "cinematic universes" tanked hard, with supposed franchise builders like King Arthur, The Mummy, The Dark Tower and Justice League sputtering out of the gate. I love me some blockbusters, but these all felt like "marketing first, merit second" ventures.

Lastly, I should say the Dark Discussions podcast remains strong, with now 4 spinoffs (You Know Nothing John Snow, Searching for American Gods, Halloween Boutique Psychotronic Reviews, and Bullets, Brothels and Bots). We passed 300 episodes, and should pass 350 by the year's end. We attempted to have our second ever host meet-up, this time in Mystic, CT, where I did finally get to meet Abe Spinney in the flesh. Sadly health kept Kristi from joining us, and sidelined her from a number of episodes late in the year, but we will hopefully get another shot this August. Dark Discussions was also invited back to Scare-A-Con New England, where Phil and I were able to represent, and hopefully will become a fixture on the podcaster track at Scares That Care Weekend, where I participated in a couple of panels (despite some food poisoning).

So without further ado, here's my own awards for 2017:

Favorite Film of 2017
A lot of hard choices to make here, but I have to go with Edgar Wright's Baby Driver.

Favorite Horror Film
Get Out. Tried hard to be contrarian, but there was no single film that stood out, and this was definitely the best time I had in theaters in 2017. The audience was hooked from the start, and that always creates a better experience.
Runner up: The Evil Within.  Just an all-out creepy experience, with a backstory almost as fascinating  as the film itself.

Favorite SF Film
This was a weak category for me, but I have to give it to Netflix's Okja. Almost, but not quite, good enough to make me forget how good bacon is.
Runner Up: Star Wars: The Last Jedi - had issues, especially everything Canto Bight, but the final act was redempting, and I loved that it went left when everyone was expecting it to go right.

Favorite Comic Book Film:
Tough call, because they were all pretty close in quality, but Logan was the most daring and different of the group.
Runner Up: Tough call between Wonder Woman and Spider-Man: Homecoming

Favorite Action Film:
John Wick: Chapter 2. A rare sequel that lives up to the original.
Runner Up: Jumanji: Back to the Jungle

Favorite Fantasy Film:
A Monster Calls.
Runner Up: The Shape of Water
Favorite Zombie Film:
The Girl With All the Gifts. It Stains the Sands Red would be my runner up. Alas no vampire or werewolf films this year.

Favorite Found-Footage
Creep 2
Favorite Horror-Comedy: 
The Babysitter

Best Sequel:

Separated-At-Birth Award:
Babystitter and Better Watch Out
Runner Up: The Belko Experiment and Mayhem

Hero of the Year
Elton John, Kingsman: The Golden Circle (what can I say; I'm a big fan)

Villain of the Year
Rose, Get Out

Kill of the Year:
Cole-grenade, Kong: Skull Island

Best Creatures
The Void

Worst Film, Low Budget
Death House

Worst Film, Big Budget
Pirates of the Carribean: Dead Men Tell No Tales (to be fair, I avoided most of the big-budget disasters of 2017).

Most Distrubing
The not-quite Chuck-E-Cheese party in The Evil Within

That Looks Like It Hurt Award
Getting out of the handcuffs, Gerald's Game
Biggest Disappointment
Guardians of the Galaxy 2 fell into the overindulgence trap that kills so many sequels.

Surprise Moment
Spider-Man Homecoming: Meeting the parents. Maybe this should go to Split but I kind of expected to see that final cameo.

Cameo of the Year
Bruce Willis, Split
Runner up: Liam Hemsworth, Matt Damon, Sam Neil - Thor Ragnarok  

Career Boost
Samara Weaving (The Babysitter, Three Billboards, Mayhem) 

Career Crash (non-Weinstein/Spacey edition):
Rather than pick Zach Snyder two years in a row, let me go with Tom Cruise. Both The Mummy and American Made flopped hard.

Self-Serving Self Promotion Award: The Best Dark Discussions Episodes of 2017:
Chopping Mall 
Monkey Shines 
The Lure 
The Ninth Gate
Salem's Lot

Saturday, March 11, 2017

How I Came to Love Buffy the Vampire Slayer.

Image result for Buffy the vampire slayer

Yesterday was the 20th anniversary of the airing of “Welcome to the Hellmouth,” the premier episode of Buffy the Vampire Slayer. Upon seeing that this milestone was approaching, my first thought was “Damn, I’m getting old.” When Buffy started, I was just 26, and in my second year of teaching. It would be another year before I met my wife. I have gone through three presidents, five Star Wars movies, thousands of students, and eight cats.

I am a fan of many things. It makes it impossible to be a rabid fan of any single franchise, at least not for long. Back in 1997, though, I would have likely considered myself to be a science fiction fan more than a horror fan. It makes sense – horror films were in a lull, Star Wars had dominated my childhood and was beginning to emerge from pop-culture purgatory (it was so out of vogue one of my first days teaching a student asked me if I had ever heard of a film called “Star Wars”), The X-Files and Babylon 5 were in full swing. But as a fan, it was Star Trek that was mostly catching my attention. It was coming off the successful Next Generation run, with Deep Space Nine in the midst of its fifth season and well on its way to becoming my favorite series in the franchise. I was having trouble maintaining interest in Voyager, but was sticking with it in hopes it would improve (it didn’t, at least not enough, and I stopped watching soon after).

And then along came Buffy.

My first real exposure to Buffy the Vampire Slayer came from (I believe) Starlog magazine, in the summer of 1992, shortly before the film’s release. I knew the film was coming out, but I had only marginal interest because of Donald Southerland’s involvement. Then I read the Starlog interview with then-unknown writer Joss Whedon. He explained his vision for Buffy, now familiar to fans. He wanted to subvert the trope of the helpless blonde girl who falls victim to the monster in the alley. Just once, he wanted to see her emerge victorious. It was an interesting idea, and in that interview, he not only sold me on the film, but convinced me that he was a fan of the genre, and a knowledgeable one. So I gave the film a shot, but aside from the performance of Paul “Pee Wee” Rubens, I came out of the theater disappointed. Either Whedon lacked the chops to back up his words or, more likely, the director and studio deviated from his ideas.
Image result for Buffy the vampire slayer
Four and half years later, when I read that they were turning Buffy into a series (for the WB no less!), I was tempted to scoff along with everyone else. But I also remembered that interview, and decided to give it a shot.

I was enamored with the series from the start, and for several weeks had trouble reconciling the fact that I was enjoying Buffy so much, and Star Trek Voyager so little (surely a big factor in getting me to give up that ghost).  I recorded every episode, and re-watched them regularly, and managed to turn many friends, and eventually my wife, into fellow watchers.  Throughout its run, I would encounter people who laughed at the series, but few had ever watched an episode.

To be fair, the first season is rough, especially in hindsight. The first episode is good, but not brilliant, and there are plenty of clunkers mixed into those first thirteen episodes (“I Robot, You Jane” among the series’ very worst). But it was still very fresh compared to most of what was on the air. Whedon’s ability to subvert tropes kept us guessing, and his weird knack for language made it sound like nothing else (though it did turn some people off).

So I wanted to write something in its honor. Many are writing about its influence, and others about its best episodes (all the usual suspects: Hush, Becoming, Once More with Feeling, The Body, etc). Instead I found myself thinking back to those early episodes, and pondering what made me a fan. Not just the characters (always have been, always will be, a fan of nerdy Willow and Xander), and the dialogue and other general things that carried through the whole series, but what were specific moments from that first season. So I picked ten moments from that first season, listed in chronological order (needless to say, SPOILERS follow, but c’mon it’s been two decades!):

1.       Hello, Darla! (“Welcome to the Hellmouth”)

The very first scene of the first episode. At this point, I didn’t know my Sarah Michelle Geller from my Charisma Carpenter. Seeing a timid, blonde school girl (Dexter’s Julie Benz) sneaking into Sunnydale High with her cool, leather jacketed boyfriend, I figured this was the Buffy introduction. He was the vamp, and she would kill him. Of course, it wasn’t to be. Imagine my surprise when the cocky, rooftop loving stud turned into the series’ first victim. 

2.       Goodbye, Jesse! (“The Harvest”)

Originally aired with “Welcome to the Harvest” as a two-hour series premier, we were still at the point of learning who was who, and surely had not memorized the opening credits. It seemed to us that Jesse (Eric Balfour) would be part of the nascent Scooby Gang. Naturally, Whedon, a fellow comic nerd, had studied up on Super-Hero 101, and had Buffy’s new friend kidnapped and used as bait in a bound-to-be unsuccessful effort to trap the Slayer. Surely she would save the day, and they would have many seasons of fun adventures together. Except it didn’t work out that way.

1.       Here Comes the Sun (“The Harvest”)
Last one from the first episode, I promise. One of the vampire tropes that always bothered me was the convenient intervention of sunlight at the last second. So it was that the premier ends with Buffy facing off against super-vampire Luke in the Bronze, Sunnydale’s teen-friendly hangout. She raises a mic stand to impale Luke, who laughs because, hello, not a wooden stake. “Here’s something you forgot about, too – sunrise!” Buffy taunts as she hurls the mic stand through a window, bathing Luke in the yellow glow of the sun. I rolled my eyes, I’d seen it a hundred times before and was disappointed to see it yet again. And then “,,, is in about nine hours, moron,” as Buffy stabs the distracted vampire with a stake, averting the apocalypse. I laughed. They got me.

4.       The Trophy Mom (“The Witch”)

The first episode after the premier, “The Witch” had the heavy burden of showing viewers that the show was about more than vampires. A metaphor for the pressures parents can place on their kids, it veers wildly from silly to tragic and back again, and remains one of my favorite episodes, but there is something about the final shot that just creeps me out (and, given the callback in later seasons, likely resonated with others as well).
5.       The Breakup (“Never Kill a Boy on the First Date”)
A big theme in the first season was Buffy trying her best to shirk her duty to live a normal life. In this mostly forgettable episode, Buffy is trying to balance averting the apocalypse with dating a cute boy (Christopher Wiehl) and nearly gets him killed. Where we expect the boy to dump Buffy for being too weird and dangerous, it is instead Buffy who cuts him loose when he begs her to take him on more adventures. Superman could take a lesson from Miss Summers.
6.       Flutie’s Farewell Dinner (“The Pack”)
When Buffy’s schoolmates are possessed by hyenas in a forced bullying metaphor, they are called into Principle Flutie’s (Ken Lerner) office and eat him. It happens off screen, but it happens. In the era of The Walking Dead, American Horror Story, and Hannibal this may seem tame, but at the time I was shocked that they went there. Please remember, I was teaching high school students at the time, so it had some resonance.
7.       Do You Remember? (“The Pack”)
Another annoying trope in genre tales is when a possessed person conveniently forgets everything they did after being freed. And poor Xander (Nicholas Brendon) admits as much after being released from his inner hyena… but it is also clear he lied. Which means the rest of the pack will forever live with the memory of killing and eating poor Principle Flutie. It’s a tiny thing, but it tickled me.
8.       Poor Cordelia? (“Out of Mind, Out of Sight”)
Putting a quantum mechanical spin on the Invisible Man, an ignored girl disappears and seeks revenge on the popular kids. Up to this point, head cheerleader Cordelia Chase (Charisma Carpenter) has been Buffy’s greatest mortal nemesis, and constant reminder of the shallow, stuck up bitch she used to be. When Invisible Marcie (Clea DuVall) ensnares Cordelia and threatens to mutilate her lovely face… well, this is a show that vamped Jesse, killed students at a regular clip, and just ate its principal – they might just dispense with the beauty queen! For me it remains one of the series most tense moments, but more importantly, it was the first step to humanizing Cordelia and eventually turning her into one of the show’s strongest characters.
9.       Open Your Textbooks (“Out of Mind, Out of Sight”)
Little things go a long way, and for most fans, the tag at the end of this episode is what they remember best – the US government comes in at the last minute and takes Marcie away to be locked up forever… or to put her in a class of other invisible children, who will be taught the fine art of espionage. This is our first hint that the sinister forces in Buffy’s world are not escaping the notice of the mortals in charge.
10.   I Wonder Who She Is. (“Prophecy Girl”)

Obvious much of the series is a metaphor for the pains of adolescence. Here, after fighting vampires, demons and other assorted monsters for a dozen episodes, Buffy at last comes face to face with her mortality. When prophecy reveals that Buffy will be the latest slayer to die in the line of duty, to be forgotten and replaced by the next girl in line, she does what I imagine most girls would – she quits. For a character who was often vain and shallow, her raging at the unfairness of it all and final, tearful plea is heartbreaking. It is also a highlight for Sarah Michelle Geller, who could have chewed the scenery beginning to end, but brings the feels home by reigning it in at the end. A true turning point in the series.